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How does the creative process work?

Overview:
• STEP 1 — Brainstorming session
• STEP 2 — Concepts and designs
• STEP 3 — Feedback
• STEP 4 — Repeat Steps 1-3 as necessary
• STEP 5 — Final design fine-tuning and production
• STEP 6 — Delivery of product and guidelines for usage

STEP I — Brainstorming
This is a stage that I pride myself on. I love meeting people and I love learning about their passions. This is the stage where the client and the designer begin to analyze the problem and solution. Rather than call it a problem, I prefer the terms puzzle, challenge or goal. Sometimes the goals need to be redefined. Sometimes the goals can be achieved by thinking outside the box. Sometimes the goals are very straight forward. In this case, my client, Fat Cat Motorsports, knew what he wanted — a logo of a hefty white cat driving a 1991 Miata MX-5 (British Racing Green) wearing goggles and a big grin. He even had a sketch from a competing designer. <YUCK>

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We skipped creating dozens and dozens of ideas and designs that some clients need before they decide which theme best sells their business; however, this would still be a challenging logo. It would need to be sophisticated yet simple enough to reproduce in various media, like business cards, websites, outdoor signage, etc. Also, it would require considerable time to illustrate and I wanted to make sure my client would be 100% happy before producing the final illustration.

STEP 2 — Concepts and designs
After talking with the client to get as much information as possible, I researched competing and complimentary companies, and researched cats andd cars, to help create a unique image to captivate the consumer. Then I let it simmer in the old noodle for a day or two. This is the magic — when the brain subconsciously puts 2 and 2 together and gets 5. Then when brimming with creativity, I get out my pencil and paper and sketch several variations of the logo playing with the gesture, mood, perspective and style of the illustration. Then I send my favorites to the client. The idea is not to spend too much time, but capture the essence of a variety of solutions. My client picked this sketch.

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STEP 3 — Feedback
The following is a portion of the creative brainstorming to refine our idea.

I said, "Here's how I envision your logo so far. A fat sassy cat with his ears tucked back and whiskers blowing in the wind. I think it would be nice to do a fairly detailed illustration, though keep in mind the more detail, like shadows and colors, the more difficult it is to print in various media, not to mention illustrate. You'll notice that most logos, like the McDonald's arches are a flat, one-color, simple shape and are easy to reproduce or recognize from a distance.

He said, "You've helped stir my imagination with the possibilities! Not looking to go crazy with details. The general concept really jumps out well. The cat looks like he's having a helluva good time and that's exactly what I want to convey. The ears even look a little devilish, and I consider myself a happy devil as a friend once said. Having him overfill the car is perfect — easy to see his face and enforces the "fat cat" concept. I think the impression of speed is enhanced by having slightly blurred lines on the car so you don't see seams in the bodywork, etc. I think the cat's grin is really what'll grab people and be memorable. I was just wondering if a second, slightly different logo was possible — the cat with a similar grin holding a scaled-down Miata in his hand, standing nonchalantly with legs crossed? Having a couple logos to bounce between (if not too complicated or adding too much cost) would be awesome. What do you think?"

I replied, "Having two logos is almost never done because it will be hard enough to brand yourself, meaning, get people to remember you with just one image. However, you can play with the idea and create a different image for t-shirts and websites to work in conjunction with the logo. If you want, I can sketch the concept of a cat standing, and you can see what it will look like and choose between the two. But I feel this one conveys the feeling of motorsports better. Also a technical note, the shape of a cat standing holding a car would look quite small on a business card. The more compact shape of the cat in the car would work well in a variety of applications.

Afterwards, I went back to the drawing board and rendered our ideas in a more finalized style. What I did was sketch this out a couple times until I was happy. Then I inked the lines and scanned it into the computer.

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STEP 4 — Repeat Steps 1-3 as necessary
We discussed the above illustration at length. We both agreed that it was very close, but that the car was a bit too cartoony. In other words, we felt that car lovers would rather see something more racy and realistic. This is the revised drawing.

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STEP 5 — Final design fine-tuning and production
The client approved the above pen and ink drawing with a few minor changes (can you count all seven changes?). Then I scanned it into the computer and redrew the image in Illustrator by hand. I didn't want to automate this process because it results in jagged lines and I wanted the car to be perfectly smooth. At this stage, though a little bit late in the process, I added the typography. I searched threw a couple hundred fonts before deciding to illustrate a semi-customized font.

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The above logo is the black and white line art version, and the logo below is the 3-color version.

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STEP 5 — Delivery of product and guidelines for usage.
You don't get just one logo but sometimes a dozen. The same logo can change multiple times depending on the usage.

COMPOSITION
• Horizontal, where the logo is side by side with the text
• Vertical, a stacked version like the one above
• Just the logo. In this case, the car and cat.
• Just the type treatment. In this case, the name of the company, Fat Cat Motorsports, and the tagline, Where innovation drives us.

Also, there are several color modes like black and white or CMYK or RGB. And there are many different file types like PDF and JPG. The final files and usage guidelines really depend on the clients needs, but for a more elaborate explination see: What are file formats and color modes?

Overall, there were 60+ emails and a dozen phone calls needed to complete this project.

 

 

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